LVC Design Work: September 2012

Intro

This tutorial explains how you can easily transform a simple 3D abstract render into a big and colourful illustration. Using simple techniques in Cinema 4D, along with some handy Photoshop tricks, German digital artist Nicolas Monin-Baroille will guide you through the creation of his work,Project X.

Nicolas says the piece is a fun and personal experiment with colours and mixed media, and that following this tutorial to the letter is not recommended as most of it is about experimenting and creativity. Nicolas believes that to get the best out of your abilities, you need to play around and learn how to take risks.

He created Project X using Cinema 4D, but the steps can easily be completed in any pro-level 3D package such as TrueSpace or Maya. If 3D’s not your thing, you can start off from Step 7 in Photoshop, using his renders in the project files.

Nicholas has used German versions of Cinema 4D and Photoshop in this tutorial. We’ve noted where settings are written in German in the screenshots – so you’re getting a small language lesson as well as learning creative techniques.

Time to complete

3-4 hours

Tools

Cinema 4D, Photoshop

Download

Files for this tutorial are downloadable from here

Modern-Day Venus by Tad Carpenter, Final Image

Download the source file for Tad Carpenter's "Modern-Day Venus."

Tad Carpenter remembers being fascinated as a child watching his father draw. He wanted to be a professional illustrator just like his dad. His first brush with success came early at age 8: After he won a local contest held by the Kansas City Chiefs football team, his artwork was featured on the team's season tickets. Today, Carpenter's work is found on a lot more than just football tickets, covering book jackets, posters, the pages of children's books, snowboards, ads, and virtually any other materials that have a need for professional illustration.

Getting started

I looked back at Adobe® Illustrator® over the years and thought about how it's continued to evolve along with the needs and opportunities facing designers. When I thought about the Venus project, I wanted to keep with this idea of evolution, putting Venus in today’s world. I placed her in a modern background to show how she can evolve and adapt to her current environment. She's a classic image made modern.

I kept some of the nautical theme by mixing the boats, fishermen, and sea creatures that would have surrounded Venus, but integrated them in a field of modern buildings and colors that we see today. The goal is a playful marrying of what's old and what's new, encouraging a viewer to explore how the two worlds come together.

Sketch

My first step was creating a new layer in Illustrator to place my pencil sketch, which acts as a roadmap throughout my entire design process. I also took advantage of a new feature in Illustrator CS6 and customized my workspace with the new user interface brightness setting — check out the light gray background. I then began to create a color palette and add background color for my illustration, which I did by adding my swatches to the Swatches panel.

A foundation for my design

The next steps show how I drafted and drew various elements with my Pen tool. Along the way, you can see how useful my sketch was as a guide.

Tad uses his sketch as a guide to create elements with the pen tool

I like to incorporate hand-drawn patterns throughout my work, and I do so by using the Shape and Pathfinder tools in Illustrator. For example, in the image below you can see a hand-drawn texture with a shape on top of it. I selected the texture and the object on top and used Pathfinder Divide before placing it on the rooftop.

My next step was to use the new pattern creation feature in Illustrator CS6 to add patterns to several of my buildings, making adjustments to the patterns along the way. I used the patterns to bring more contrast into my design, so I created a couple of types. The new patterns I created are applied to some of the buildings below.

Creation of buildings with pattern overlays

“The new pattern creation feature in Illustrator CS6 is an easy and fast way to bring nice, varied elements to designs. The patterns are simple to create and easy to apply.”

Building out elements over the pencil sketch

Building out all the elements

For small details like the lobster's antennas, I used the Width tool to get the varied line weights that I wanted. I continued using the Pen tool and incorporating more hand-drawn elements. Using my pencil sketch as a guide, I drew Venus. For her nose, I applied a hand-drawn line from the Brushes panel — and did the same for her hair.

To add more texture to the background I placed hand-drawn pencil drawings into my illustration and sent them to the back before applying a color to the background overall.

Exploring patterns further

After completing my illustration, I used some of the recurring elements from the illustration to make patterns that I could apply to a shopping bag. For some of the patterns, I just started with a basic row of shapes. In Illustrator CS6 I can control how I want my pattern to look. As I created and edited the pattern while in pattern editing mode, I added additional shapes and edited the various elements. After a pattern is created, it is added to my Swatches panel and can be applied quickly.

I continued using objects from my illustration to create a series of fun patterns. I ended up with six pattern options, all started by selecting shapes and choosing Object > Pattern > Make to enter pattern editing mode.

The patterns were then mixed and matched to apply to a shopping bag like in the example below.

Wednesday, September 26, 2012

Adventures in UnReality

Wednesday, September 5, 2012

CINEMA 4D AND PHOTOSHOP: USE 3D TO CREATE COLOURFUL ABSTRACT ART